भग्न असे मंदिर हे
पडलेले जीर्ण चिरे
शोधसि का राशित त्या
ज्यास न अस्तित्व उरे !
ही शोधकथा हे श्रम रे
होतिल जर सनयन रे
पलिकडच्या माळावर
उठतील प्रासाद नवे !
- कुसुमाग्रज
The powerful words from a visionary writer/poet, highlighting current status of our history which is on verge of being cleared out from the archaeological chapters of India. The stone sculptures, carvings, structures are silent witnesses of past which help us bridge the missing links in our history. This post is about one such silent witness- Hero-stones, commonly referred to as
Veergal वीरगळ in Marathi or
Veerbrahm वीरब्रह्म in Hindi or
Veerakallu ವೀರಗಲ್ಲು in Kannada.
Popular during 3rd century BC up until 18th century AD, they are a form of stone carvings, adopted as a standardization to commemorate death of a Hero (woman/man) involving valour, chivalry and self sacrifice. The size, shape, complexity of carving depends on the designation of the warrior/person who died. Reason for the death could be anything from a battle, religious and non-religious sacrifices (more details provided below, in Lower-frame description). Hero stones are found all over India, from Kashmir to Kanyakumari, with a large concentration found along the southern states, especially near a mountain fortress or near a major temple complex. Based on some limited sources we have on this topic, along with some photos we managed to collect so far, from our trekking and exploration in the Western ghats,
Sahyadris, Goa, North Karnataka, we have tried to make a genuine effort to revive the significance of Hero-stones.
Types of hero-stones- Now readers will ask, why are Hero-stones mentioned as a form of 'standardization' ? Answer can be extrapolated from several examples we have, which has been cross-referenced with few other research papers (provided at the end). As per the findings so far, following types of stones are found- a singlet-hero stone, a hero-stone (full version). A full-version stone has following subtypes- वीरगळ, धेनुगळ Cattle-stone गोरक्षक, सतीशिळा sacrifice stone and गधेगळ (type of a Curse-stone). Full version hero-stones are found in large numbers as compared to others. The examples of each will follow.
 |
| A single-frame hero-stone, Avchitgad fort (Roha) |
A singlet stone or a single-frame hero-stone has a single frame, which shows hero with his/her sword and shield, sometimes mounted on a horse. A full-version hero-stone usually has three to four frames, depending on the reason for the death of the hero. Some events just require more frames to put down the story behind heros death.
 |
| Top frame |
Top frame– depicts the subject worshiping a deity, mostly a
Shiva lingam and a
Nandi bull, with or without an attendant/priest. Some frames have two round carvings depicting the Sun and the Moon, that suggests the eternal glory of the martyr.
Kalasha on the top, is considered as the symbol of heaven by some, and a sign of royalty by others. Sometimes we see a face of a devil-
कीर्तिमुख, which is an indicator of ancient Indian temples and Buddhist architecture (its significance is described in detail in
Skanda Purana)
 |
| Middle frame |
Middle frame– Usually depicts the cause of death. The reason of death could be anything from a battle, battle-games (sword fight, equestrian, archery, elephants etc.), fighting a wild animal (usually protecting a village or cattle from wild animals), other religious and non-religious sacrifices (sati, suicides etc. expecting good-luck and well-being in return for upcoming future).
 |
| Bottom frame |
Bottom frame– This frame shows a hero, lying dead on the ground or on a death-bed, surrounded by different things/people depending the reason behind his/her death. They could be surrounded by villagers, (his) wife (wives), cattle stock or simply a pyre.
Hero-stones of Karnataka
Mirjan fort, 16th century, Kumta (Karnataka)
The carvings here are still are in good condition as compared to others. They have used a different kind of stone for the carving purpose. The clarity of the figures, the complexity of designs and detailing is just insane.
A Lion carving can be seen seated in front of the Goddess (similar to how a
Nandi-bull in front of a
Shiva Lingam). The intricacy of carvings shows us the glory of those prosperous times.
Ramnath temple complex, Karwar (Karnataka)
As you cross Goa-Karnataka border post on the Panvel-Edapally highway (NH66), a small road diverges into a coastline of
Ramnath temple complex.
Two Elephants are sculpted pouring water on goddess
Gajalakshmi who is (usually) mounted on a lotus.
Kirtimukham is also visible at the top. Elephants are the vehicle of goddess
Gajalakshmi.
Hero-stones of 21st century (Karnataka)
A village near Badami (Karnataka) has a modern day hero-stone which has been aptly installed to pin-down the contribution of a hero-Shivabasaiah- who laid down his life in the 1999 Kargil war. The design was made by the students of Kannada University,
Lalitakala (Badami branch).
Maharashtra
Ajinkyatara fort, Satara
Couple of hero-stones can be found near
Mangalai devi temple. The upper frame looks like having a carved holy
Kalasha.
The left stone has a
kalasha on the top but lower frame (which mentions reason for death) is missing. You can see that while closely analyzing the right carving which shows clearly the three frames.
First frame, hero offering prayers to
Shiva Lingam in presence of a priest. Middle frame, hero lifted into the heavens by two angels. Third frame, fighting in a battle (enemy troops are more in numbers) also reason for death. The fourth frame is missing.
Avchitgad, Roha
A few carvings can be found enroute Avchitgad fort, a couple hundred meters before the main entrance. The frames can be seen broken, but individual depictions are visible. Separate single frames are scattered across the fort, some near the water tanks and some hidden in the bushes.
Inside the fort premises, near the water tanks lies a singlet-hero stone. Hero is seen holding a sword and shield.
Baanganga temple complex, Mumbai
This place is a group of temples some of which are Balaji, Walkeshwar, Radha-Krishna, Parshurama etc.
Some of the stones have lost their identity. The place belongs to
Prabhu Pathare ज्ञाती but the locality is dominated by the settlers from Rajasthan (especially people from Marwad). It is reflected widely in the idols of deities and hero stones found here. A special kind of hero stone having a big and long mustache covering half of the face is found here.
One corner of the temple has more than fifty tombs. Horse riders and a standing hero structure (while resting his hands on his waist) are the most common figures here.
Gorakhgad, Murbad
A small temple, about 500 meter descend from main plateau of
Gorakhgad, showcases these medieval piece of work. This temple is obscured by thick treeline at the beginning of the forest, which confluences with the main
Sahyadri ridge. One of the rare
Sati-stones are found here.
सतीशिळा (A sacrifice stone)- These were raised to commemorate courage of a wife who offered her sacrifice with their husband. Today we have a basic understanding of right and wrong, and we know that these sacrifices were wrong. But these were still found to be prevalent back then.
Rightmost stone- Top frame has 5 wives, their husband and a priest worshiping a
Shiva lingam. Second frame has the hands of those 5 wives. In the third frame, the wives are going to heaven on a horse. The last frame shows the wives with the dead-body of their husband lying on the death-bed (चिता) with the flames from pyre.
Left stone-
Kalasha is visible. A husband, his wife and a priest are offering their prayers to a
Shiva Lingam and a
Nandi bull. Second frame shows the
sati-hand.
The stone above depicts an equestrian (horsemen fighting). The hero was apparently killed in the battle-game. The lower frame is missing.
Harishchandragad, Ahmadnagar
Harishchandragad has a lot of potential to unlock many mysteries about our history. Many old stone carvings, temples, caves still exists here in comparatively less ruins (Kirtimukha, Shiva-Parvati, Nageshwara).
 |
| Left: Sati hand, Center: Kirtimukha (devil face), Right: broken pieces of hero-stones |
The temple wall seems to be build-up with different stone frames (those frames don't belong there. They could have been part of another carving/structure). Best example is of a sati-hand which is seen on the Ganesha temple wall. Usually, a sati-frame is never found on a temple wall. It might have been used while re-construction of the temple.
धेनुगळ Cattle-stone (गोरक्षक)- Another Veergal is found enroute
Harishchandragad via
Junnar Darwaza trail, a rarely used route to the fort. In past, cattle was considered as wealth by the villagers, and were often stolen by armed robbers, oppressive officers, raiders/invaders/enemies. On these hero-stones, a hero is shown protecting the village cattle stock, and eventually dies fighting them. Sometimes a hero is also seen protecting cattle/villagers from other wild animal.
Kalsubai, Ahmednagar
The temple at first plateau of Kalsubai has another version of carving, hero is fighting a wild tiger/lion with his/her bare hands. This carving is placed in front of the temple, underneath a tree. (Right side, below the flag).
Nalasopara and Virar are considered as lake-towns as they were surrounded by lakes in the past. The ruins had been acquired from
Chakreshwar lake just opposite to the
Chakreshwar Mahadev temple in Nalasopara. The place has plenty of carvings, with some rare stone-carvings of Hindu deities like Bramha, Varaha, Yama. Experts claim that these carvings belong to 200 B.C. They argue that the fear of invaders was a prime reason for the early settlers to hide away the carvings into the lake, and there could be many more inside !
 |
| Hero is a Sage |
Scholars think that if a
Veergal has multiple copies in form of mirror image, could be an indication of the subjects belonging to the same family. A male and female figure could be an indicator of husband and wife. Sopara village was among the major international ports during the reign of King Ashoka and many sculpted remains confirming to Buddhism were excavated. Till date, unfortunately, the stone slab with King Ashoka inscription is being used for washing clothes by the lakeside settlers.
Rajmachi fort (Manoranjan and Shreevardhan fort), Lonavala
Rajmachi is an easily accessible twin-fort a mountain ghat along the Karjat-Lonavala route. Rajmachi has some idols of Hindu Gods with some carvings of local deities and some tombs. The water tanks present on forts might have enough potential of having different kinds of historical artifacts.
Ratangad, Ahmadnagar
The Shiva temple at
Ratanwadi village (अमृतेश्वर मंदिर) is heaven of hero stones. The inner and outer premises of the temple are full of variety of Hero-stones and Shaiva-Vaishnava idols. The hero-stones here could belong to warriors, priests and other local saviors who nourished and saved the temple till death. Some of the stone-slabs has worn-out inscriptions on them.
गधेगळ (donkey stone)- A unique form of stone is found here. The donkey stone was a means to tell the public that people who misused the Kings wealth would be cursed/punished. The curse is shown as a donkey forced to mate with a women. These were known to be installed as a reminder for common public to not break Kings orders (which kings? Invaders or local Kings, is still unknown). In recent times, settlers have thrown these stones into water bodies given that they signify vulgarity, but some stones are blindly being worshiped.
 |
| A donkey stone- someone has offered them a flower (?) |
Villagers of
Ratanwadi has done an incredible job of restoring these artifacts. In fact, we were surprised to see many non-trekkers taking interest in these carvings.
Sagargad, Alibaug
The condition of these hero-stones is deteriorating, with some of them laden with heavy, shiny oil paints leaving the stones beyond identification.
Sajjangad, Satara
Sajjangad has housed some of the oldest temples. It has one Arabic inscription on the main entrance of the fort. The lake in front of library building has a hero stone where horse riders could be seen in the lower frame.
Salher fort, Nashik
Salher, Salota, Mulher are forts in the remote areas of
baglaan region (Nashik). On the way to Mulher fort from Salher, a hero is seen standing with his/her sword and a shield in hand.
Sarasgad, Pali
Stones are located in the premises of a
Shiva temple near the lakeside at top of the
Sarasgad. These are examples of the hero-stones in form of pillars, highlighting different forms and shapes of hero-stones (flowers, leaves and different artistic design).
Another stone lies in a broken condition, only top frame visible; middle and lower frame(s) are missing, probably inside the lake.
Shivtharghal, Mahad
A couple of Hero-stones are found to be carved-out in form of a cuboid. The stones look scattered in the nearby open fields. Some of the stones were located inside the villagers private property.
In the premises of the temple from where one starts the actual climb a hero stone is present. Half of the part may have got buried inside the land. The stone depicts two persons, one having a sword and another in typical heroic posture (a Superman posture) and could have been the indication of a couple.
Vimaleshwar temple, Devgad
Vimaleshwar is a cave temple of Lord Shiva in Konkan region. This place has some special kind of hero stones where the figures are almost identical, repeated and sometimes exact replicas of each other. Some stones depict the war scenes and most of the subjects are shown occupied with the prayers. It may be the case where they have included the figures of priests who had been there for their entire lives. These may also represent mass killings by invaders.
Visapur fort, Pune
Visapur fort has an interesting figure of a hero holding a shield and sword and is in a ready/attacking position. Usually these kinds of figures have a mustache on subjects face and could be easily misunderstood with the figure of
Lord Hanuman. Unfortunately, the face looks to be destroyed.
In conclusion-
It was clearly seen that most of the hero-stones had a frame dedicated to worshiping of
Lord Shiva. The stones were erected in order to motivate the future generations of the villagers/clans/kingdom to fight for their future, so that the sacrifices of the dead didn't go in vain. Based on what we know now, should we worship all the stones? We have a basic understanding of right and wrong, and we know that self-sacrifices were wrong. So, is a sacrifice-stone (sati-stone) or a donkey-stone a positive energy source or negative energy source? Are people unhappy or unsatisfied in their lives because they worship the negative energy sources? Is it that people find it hard to differentiate between right and wrong?
 |
| Which animal is this? coming soon.... |
History is not a rigid subject and it changes every time you uncover new evidences. The hero-stones are all around us- on mountains, forts, temples, in forests, hidden in some bushes, behind a temple, submerged in lakes, thrown away on the outskirts, or some lucky ones in the Museum. These sculpted carvings are losing their identity due multiple reasons- weather, erosion, over-worshiping (using oil, paint etc) and especially negligence. This article is an attempt to spread awareness about them and I hope it will serve its purpose :) This post was possible due to the analysis provided by Aaditya Gurav who helped extensively in connecting the dots. A shout out to Parikshith Batni from Mysore for helping decode Kannada to English. All the photos were captured while we were trekking/travelling/exploring the western ghats and parts of Karnataka. We still have a lot more to share and more stories to tell. Looking forward for the reader's comments and suggestion.
